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努努影院

造物的奇迹
其它其它1925
  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

努努影院

溺水的鱼
日本日语2001
  故事发生在某知名企业,以收到的一封电子邮件拉开序幕。这封电子邮件将会从根本上威胁到企业的生存,好不容易才查出了警视厅公安部的一个警部与这家企业有着密切的关系,但是,特别监察官却企图竭力隐藏可供查明真相的线索。为了调查案件真相而被提拔的,是即将被革职查办的白州胜彦(椎名桔平饰)和秋吉宗贵(窪塚洋介饰)二人。  专门调查警察组织内部犯罪的特别监察官室,对某个危险人物进行了调查。他就是警视厅公安部警部的石卷修次。由于他与大型胶片制造商——DAITO公司相勾结,并且与中国黑社会组织的关系等等,一直令人怀疑,说不定哪天就会引发足以导致警察机构崩溃的爆炸性新闻。  为了掌握石卷的动向,警察厅特别监察官室长——御代田警视正,决定起用二个将被革职查办的警探对警察组织内部进行调查。这两个警探就是白州胜彦和秋吉宗贵。白州胜彦——在毒品交易现场射杀嫌疑犯后,拿走作为证据的现金。秋吉宗贵——有女装癖,在警视厅盗窃女警制服。  与此同时,DAITO公司本部收到了一封奇怪的电子邮件恐吓信,送信者署名“溺水的鱼”。电子邮件上宣称:如果不能满足信里的要求,不但DAITO公司本部,就连其设在东京都内的DPE照相馆也将受到毁灭性的打击。虽然这样的要求让人感到不可思议,但是这种威胁根本无法判断其真伪。DAITO的四个照相馆的显影液箱里都被掺入了漂白剂,顾客的胶卷也因此全部报废了。罪犯的手段虽然周到、完善,但又不同于一般的恐吓企业犯罪。“溺水的鱼”的目标并非是金钱,而是指名要求DAITO公司的管理层高级职员,到来往行人众多的地方,自己进行有损自己尊严的行为。鉴于这些高级职员们的爱社精神,他们不得不流着泪、可怜兮兮地在众人面前一个个地活活丢丑……  某个星期五的夜晚,石卷在富有才气的图像艺术家——冈部哲晃所经营的俱乐部举办的特色娱乐活动“同性恋之夜”上露面了。为了潜入调查,不太情愿的白州和略显几分兴奋的秋吉假扮成一对同性恋情侣,混进了这个狂热而令人窒息的俱乐部……  意外的悬念一个接一个地明朗化了,白天展开了激烈的枪战,白州和秋吉潜入了混杂着各种人物、各种欲望的大都市黑社会组织中,在他们面前发生了令人震撼的事件……

努努影院

世纪突击
大陆国语2003
  "爱尔纳.突击"是爱沙尼共和国组织的一项权威性的国际侦察兵军事竞赛活动,近二百个国家参赛,阵容空前盛况;沿途都有电子监控,丝毫不能出差错…范围广,强度大,时间长,难度高,对抗性激烈,是一项没有死亡的死亡竞赛。本剧真实地再现了中共中央军委特受命南方战区代表参加"爱尔纳.突击"竞赛辉煌而又轰动的一页。突出了以庄荃、单泰丰、张大川、黎明等为代表的新一代军人,在超负集训中,为达到国际参赛标准,每一个动作、每一个军事项目、各种枪支训练、驾驶飞机5000米降落训练、防空堡训练…他们的心态、精神、思想,在血与汗,水与火的锤炼中如何泣变...同时也再现了戈扬、石四五、祁兵等基层指挥领导的风貌。  “爱尔纳·突击”国际侦察兵竞赛是爱沙尼亚组织的一项国际性军事竞赛活动,是侦察兵在“敌占区”实施的远距离、多课题侦察作战演习。竞赛在生疏地形上进行,在与假设敌的激烈对抗下实施,要求参赛队员在负重35至40公斤装备物资的情况下、连续行走四昼三夜行程180公里以上,在6至8个控制站完成近二十多项竞赛内容。时间长、内容多、范围广、强度大、难度高、对抗激烈的特点十分突出,是对参赛队员体能、技能、智能、意志的综合检验,被外军誉为没有死亡挑战死亡的战斗。

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