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努努影院

蚁王杀机
美国英语2003
  Stuart Gordon, considered a master of the horror genre thanks to classics like Re-Animator and Dagon, decides to do a different move in this strange trip to human morals.    "King of the Ants" is about a regular guy, Sean Crawley(newcomer Chris McKenna), a man without any aspiration who just live in his apartment doing the necessary job to live to the next day. In one of his jobs he meets Duke(Gearge Wendt), who introduces Sean to his boss, Ray Matthews(played by Daniel Baldwin). Ray hires Sean as a spy, and orders him to follow Eric Gatlin(Roy Livingstone), an accountant who has been investigating Ray's company. Problems start when Ray, while drunk, orders Sean to kill Eric. And he does it. Things go wrong when Ray decides to make Sean disappear destroying his mind with violent punishment and humiliation.    From the point where Sean kills Eric, we go in the same boat with him, as he goes through a downward spiral of human degradation, traveling from guilt, to confusion and finally to his rebirth, in a state where humanity, morals and values are not important anymore. Chris McKenna acting is very important because he manages to be likable even when he is part of gruesome acts, both as victim and/or criminal. He has that look of innocence that hides a dark side and he manages to carry the film.    The support cast also includes Kari Wuhrer, as Eric's widow who also becomes a central part of Sean's trip to hell. She gives a fine performance, although it's obvious that Sean is the main character. He is the most developed of all and McKenna's performance is up to the challenge.    The film has very disturbing images of violence, and while it may not be as graphic as "Kill Bill" for example, the strength of the violence is in the lack of humanity that the character manifest. He is more than an ant in this world. He is the king.    Stuart Gordon has managed to create a film that, while maybe it's not one of his best efforts; it's very well done, has a VERY interesting story to tell, and manages to capture the attention every second of it.

努努影院

巴斯克维尔猎犬
其它其它1937
  A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.  Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.  This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.  One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.  - JohnHowardReid, imdb

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