A city PR girl goes on the run accused of leaking information from the military supply company where she works. Chased by ex-soldiers she hides with her brother, a member of a shadowy hacker group, and has to choose between her luxury life - and the Redistributors.

　　Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

　　杰克（马提亚斯·修奈尔 Matthias Schoenaerts 饰）童年时遭受了极大不幸。因为和好友偷看美丽姑娘，惹上姑娘的哥哥——当地小混混布鲁诺，对方见到他们就要追打欺负，终于有一次下手太狠，用石头生生将小杰克睾丸砸碎。从此杰克的成长都要和注射激素为伴，激素也常常来自黑市。成年后的他成了老练、冷漠的农场工人，擅长养牛，喂牛也用添加激素的饲料，引来稽查员，将他卷入稽查员被杀案件；心怀的旧恨无法平复，终于让杰克走上报仇之路，他重遇事故前偷看过和爱慕着的露西亚（Jeanne Dandoy 饰），找到她如今已经成为植物人的哥哥……

　　该片取材于美国乐坛的常青树50 Cent的成长故事，从小在街头讨生活的50 Cent怎么也想不到自己会有功成名就的今天。故事讲述一个热爱音乐的毒品贩子如何脱离乌烟瘴气的黑社会，在乐坛打拼的经历。

　　“加贺美京子”是活跃在影视界的双胞胎姐妹花大野红叶（松岛菜菜子 饰）和大野枫（松岛菜菜子 饰）作为编剧所共用的笔名，姐姐红叶内向沉稳，善写对白，妹妹枫外向干练，精于构思，多年来姐妹俩互帮互助，合作无间，最新根据古畑任三郎（田村正和 饰）取材的剧集《鬼警部古驱三四郎》也大受好评。可是红叶疲惫之极，打算和妹妹分道扬镳，撰写自己喜欢的剧本。多年来的积怨，终于促使她向强势的妹妹举起手枪，并与之互换身份，伪装成“红叶”自杀的假想。此前借刑事剧的关系，单身的古畑似乎和枫产生些许的暧昧与好感，而今他却必须面对这一充满悲剧气息的双胞胎谋杀案……　　本片为新春完结篇第三部。

　　黄斌和陆发是一个抢港,台游客的退役军人，是一家强盗集团的成员，在一次分赃不均的内讧后，二人潜逃香港。在港偷了黑狼的部分军火，二人几经辛苦才找到了一个买家大圈。没想到大圈知道货的来源后，在交易时黑吃黑，但并没得逞。在混乱中反被陆发把钱抢走。其后黑狼得悉，威胁截斌等人交出军火，否则他会向戴女友美枝下毒手，戴唯有答应。在黑狼手下的伏击下，连场大火拼亦随之展开，究竟戴斌能否救回美枝呢？

　　苏音与姨妈在美国安静的生活了8年，在26岁那年完成研究生学业后突然决定回国，她从这一刻起化身为复仇女神，挟着怨恨的风暴而来，只为完成8年来她生活里唯一目标，为母亲讨回公道。　　苏音回国后，先是设计撞车以接近周文彬，让他对她留下深刻的印象，随后进入周文彬的公司，当上他的助理。聪明的苏音既在工作上努力、认真，帮助周文彬完成重要的企划项目，赢得了周文彬的称赞，同时利用高中好友董潇潇是周文彬女儿雯雯的老师的关系来接近雯雯和周文彬，她的美丽、聪慧、善良、温柔逐渐吸引了周文彬，让周文彬不由自主地去注意她。两人在一次公事出差中，苏音主动接近周文彬，暗示她对他已经产生了感情。面对迷人、多情的苏音，周文彬的内心第一次对多年稳定的婚姻产生了疑问，他在贤惠的妻子姚心兰和迷人的苏音间摇摆不定，既不能背叛长久来相互扶持的妻子，又不由自主地受苏音吸引。而姚心兰则从日常生活中的蛛丝马迹中发现了丈夫可能遭遇外遇，多年幸福的婚姻可能就此不保，为了保卫自己的爱情和婚姻，姚心兰私下去见了苏音，斥责她不该破坏别人的家庭，却在苏音的反击中得知苏音接近周文彬的原因。原来，8年前，年轻的姚心兰贪恋虚荣而与苏音的父亲产生暧昧关系，苏音的母亲因此在与父亲的一次争吵后气愤离家，却遭遇车祸，而苏音的父亲也因此心生愧疚积郁成疾，不久离世。18岁的苏音突然之间家庭破碎，成为孤儿，虽然被姨妈带去美国生活，仇恨的种子却已经种下，苏音发誓要依靠自己为母亲讨回公道，报复姚心兰。知道原因后的姚心兰深受打击，追悔莫及，却不能将真相告诉周文彬，只能独自忍受痛苦，内心不断自责、忏悔过去犯下的错。　　而与苏音青梅竹马的林俊在苏音回国后对她重新萌生了爱慕，情愫暗生，却发现苏音与周文彬越走越近，内心痛苦。一次，林俊不小心撞见苏音与姚心兰的对话后明白了事情的始末，他既对苏音抱以理解、怜惜的态度，却也不忍心苏音用这种毁灭自己的方式来报仇，林俊企图劝解苏音而与其发生争执。　　苏音在报仇的过程中，一方面感受到林俊的痴情，让她渐渐相信世间还是有真情存在的，一方面在与雯雯的接近中对雯雯十分喜爱，不忍伤害她，让雯雯成为第二个自己。苏音不断在继续报仇与放弃中挣扎着，内心十分矛盾。在与林俊产生争执、误会林俊要放弃她后，苏音才顿悟，爱情应该是让人愉悦的而不是充满仇恨，仇恨使她的人生蒙上了阴影，她用这种方式在伤害别人也在伤害自己，让身边的人一个个离开了她。　　苏音决定放下这段仇恨，放过姚心兰也放过自己，对错自有公道，而不是用别人的错误来惩罚自己，毁灭了自己也毁灭了别人的幸福家庭。苏音决定离开，她告诉姚心兰，让她好好做一个妻子和母亲，替她保守这个秘密，也告诉周文彬让他珍惜身边的人。苏音在准备回美国时却被林俊追上，林俊向她坦白了对她的感情，令苏音十分动容。放下仇恨、敞开心扉的苏音终于拥有了自己的完满的爱情。

　　在第二季中，现年 84 岁的埃尔桑·库内里决定接受采访，讲述自己的过去，谈论他的生活和电影。跟随库内里的记忆，我们回到了 80 年代中期，重温他与伙伴、前合作演员以及他引入的新人才一起创作的电影，以及他现在的生活，这一切源于他与世隔绝的住宅。第二季的八集节目呈现了一部有趣的土耳其电影史，充满了多样化的电影和丰富多彩的人物。

　　改编自大门刚明同名小说，讲述曾经是外科医生的鹰野和也成为律师后，来到名门律师事务所，依靠自身天才般的思考推理能力和合理主义原则，与其他律师团结解决事件的故事。