二战期间，纳粹占领下的罗马尼亚村庄中德军士兵被杀，德军限令村人第二天交出凶手，否则将杀害村中十位头面人物。危急之际，众人想到让村里的疯子伊普冒名顶罪，一场混合着笑与泪的战争喜剧便由此开始……本片翻拍自1972年的罗马尼亚影片《伊普之死》，演员阵容豪华，除由法国影帝大鼻子情圣德帕迪约领衔外，更有老戏骨哈威·凯特尔（《落水狗》、《钢琴课》）及威尼斯影后劳拉·莫瑞特（《心之归属》）倾情助演。影片画面精致，结局最是出人意料。

　　该片改编自二战英国历史学家达米安·刘易斯的同名畅销书《非绅士战争部：丘吉尔的秘密战士如何点燃欧洲并催生现代黑色行动》。影片讲述了丘吉尔领导的秘密作战分队的真实而离奇故事。这支小分队采用非传统、完全"非绅士"的作战技巧与纳粹进行斗争，从而改变了战争的进程。故事发生于1940年二战期间，德国持续对英国进行轰炸，并利用U型潜艇破坏英国的补给线。一些英国政府人员主张投降，但丘吉尔决心不认输，而是改变战争规则，进行强力反击。根据情报，德国大西洋U型潜艇舰队的保养、维修和武装工作都在尼日利亚的一个小港口进行。丘吉尔看到了摧毁德国战争资产、夺回优势的机会。然而，他意识到直接攻击这个西班牙殖民地可能导致西班牙与德国结盟，因此便组建了一个秘密的作战分队，由古斯·马奇·菲利普斯上尉（亨利·卡维尔 饰）带领，发动秘密行动破坏舰队。当最初计划的炸毁舰队行动因船只坚固、港口浅水而无法实施时，小分队迅速制定了偷船计划。他们大胆的行动取得了成功，摧毁了希特勒战争机器的重要组成部分，重新打开通往英国的补给线，从而加速了德国的战败。

安东尼（让·雷谢夫 Jean Rochefort 饰）从小就对理发师这个职业情有独钟，在他所暗恋的理发师雪弗夫人（Anne-Marie Pisani 饰）猝死后，他决心长大后一定要娶一个理发师为妻。长大后的安东尼遇见了马蒂德（安娜·加列娜 Anna Galiena 饰），两人迅速坠入了爱河。虽然母亲不愿承认儿媳妇的存在而父亲又在重要关头心脏病突发过世，但安东尼要将马蒂德娶回家的信念从未动摇。婚后的两人过着如胶似漆的幸福生活，甚至要比婚前更加甜蜜。他们整日黏在一起，用尽了各种方法探索彼此的精神和肉体，而就在这段美满的爱情即将到达顶峰的时候，马蒂德的自杀给予了安东尼沉重的一击，也让他迅速的陷入了困惑之中。

　　新作アニメ「天理編」制作決定！19巻OVA限定版10月18日ごろ発売予定

　　根据霍桑同名短篇小说集改编，纳撒尼尔·霍桑（Nathaniel Hawthorne，1804年7月4日—1864年5月19日），19世纪前半期美国最伟大的小说家，毕业于美国缅因州博多因学院。霍桑的作品都是世界文学史上不可多得的经典名著，代表作品有短篇小说集《古宅青苔》、《重讲一遍的故事》等，长篇小说《红字》、《带七个尖顶的阁楼》、《福谷传奇》、《玉石人像》等。霍桑的短篇小说题材丰富，表现的时代也不同。但他最偏爱的另一大主题是揭示人性之"恶"。他把抽象的"恶"当作一切社会问题的根源。在他看来，一切社会问题，人与人之间的矛盾、犯罪现象等等的根源都不存在于社会物质生活当中，而存在于人性之"恶"。这一观点可以说基本来自加尔文教教义中"原罪"与"内在的堕落"等观念的影响。他认为要消灭外部世界的一切恶行，只有从人心做起，从扫除人之恶做起，声称:"内在世界一旦净化，外在世界激荡着的许多罪恶都会自行消失。"他偏好描写超自然的，怪诞的，恐怖的现象或阴暗反常的心理活动，借以挖掘那隐秘的"恶"。

　　数起少女失踪案在W国引起广泛关注。千洛集团董事长为了早日找到失踪的爱女洛桐，举行了一场酒会，邀请全国侦探参加。因为办案能力被低估的新人侦探修尔也想要参与，却反遭到同行蒋安的嘲笑，蒋安吹嘘自己破获大案要案的过程，均被修尔一一找出破绽，这让蒋安羞愧难当。无案可接的修尔终于在恩师韦先生的帮助下接到一起离奇的密室杀人案，修尔在调查时意外发现失踪的洛桐并与洛桐成了朋友，洛桐利用她意外拥有的“神秘力量”帮助修尔破获了多起棘手的案件，令修尔名气大增，找她办案的人也越来越多。而随着对不同案件的梳理，修尔竟然发现背后好像还有另一股神秘的力量在推动，一个神秘的组织SSP和庞大的“幕后”黑手也随即浮出了水面……

　　《骑单车的人》是由莫森·玛克玛尔巴夫执导的一部影片，该片讲述在战争期间，许多阿富汗难民纷纷逃到伊朗，但他们每每演绎着悲惨的故事。　　《骑单车的人》主人公就是这么一个不幸的阿富汗难民，在伊朗，妻子病重，工作艰辛，备受歧视。为了攒钱治病，老实的男人想尽了一切办法，他接下了一个听起来很荒谬的活：骑单车表演，连续一个星期不能下车。主办者是一个利欲熏心的老板，为了牟利，他请来许多观众，把表演搞得声势浩大。于是小镇所有人纷纷关注起这场表演，下注打赌，俨然在观赏一场盛事……可怜的阿富汗男人在自行车上每天24小时不停的“表演”着，精疲力竭，但为了得到酬金仍然苦苦支撑，忍受着非人的痛苦。到了表演结束的第七天，他已经是一具行尸走肉。

　　米娜（景珂饰）是一家拳击俱乐部的陪练，一天，正在陪练的米娜突然被拳手打晕在台上，米娜被送往医院救治查出患有尿毒症，需要寻找肾源为米娜治病，罗汉（连晋饰）主动提出进行血型配比，配比成功肾源可以移植，罗汉明确了自己正是米娜亲生父亲的身份，因为罗汉体重高达196斤，这样不健康的肾脏是不能移植给米娜的，必须要尽快减肥才能够让米娜摆脱痛苦，于是，罗汉每天风雨无阻开始暴走街头，他用惊人的毅力在三个月内减肥60多斤。肾脏移植成功，但罗汉成为了短期植物人。两年一度的女子拳击比赛开始，米娜报名参加，她最终击败了所有的拳手，最后拿起奖杯的时候，在台下的罗汉含着眼泪站了起来。

约翰·卡朋特的《郊区的尖叫》是传奇导演、作家和制片人约翰·卡朋特创作的一部打破体裁的无剧本恐怖选集系列。这部剧探索了郊区阳光普照的街道、修剪整齐的草坪和友好的邻居背后隐藏的黑暗秘密和难以言喻的邪恶。每一集都聚焦于一个真实的恐怖故事，由经历过恐怖的真实人物讲述。他们的第一手资料通过优质的电影场景，新闻剪辑，家庭照片和档案镜头被带入生活，将恐怖电影的视觉语言与纪录片的工具和技术相结合，为观众创造了独特的恐怖体验。

　　武艺高强的盲眼捉刀人成瞎子（谢苗 饰）偶然救下了惨遭灭门的张小渔（杨恩又 饰）。在孤儿小渔的软磨硬泡下，成瞎子无奈将其留在身边并教其本领，小渔也等待着时机准备复仇……

　　Gary Busey plays Buck, a former Vietnam veteran/ex-con recently released from the state prison. He returns to the small Midwest town where he grew up only to discover the place overrun by a large motorcycle gang bent on causing trouble. When the bikers murder his wife and traumatize his young daughter, Busey, with the help from a fellow Vietnam vet, as well as his former cell-mate, a drug kingpin living in Miami, Buck arms himself to the teeth and wages a war against the motorcyclists to destroy them once and for all.

　　Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.