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努努影院

我来自广州国语
香港国语1998
  围绕广州名茶楼之一的天然居少东周敬文(陈庭威 饰),邂逅在天然居卖唱的歌女(王馨平 饰),在街上认识刚从顺德农村来穗工作的陈炳(欧锦棠 饰),此君生性行侠仗义,并在天然居内工作,与男扮女装的天然居侍应李阿弟(文颂娴 饰)结为兄弟。周敬文一次北上韶关,却在铁路上遇上山贼(李树楷 饰),但同班列车却有当时广东军阀冯某之子(袁文杰 饰),广州当局因而很快剿灭该党山贼,而周冯则结为好兄弟。冯军阀的副官程忠(刘锡贤 饰)乃系广州大奸大恶之徒,陈炳得罪程某,因而被他诬为山贼同党,与李树楷等山贼一同被处决,后得冯少帅所救,而程忠则怀恨在心。却遭逢日本侵华,程忠勾结日伪,成为汉奸,将军阀冯某杀死,冯少帅因而改旗易帜,效忠重庆政府,此时敬文幼弟敬业(杜汶泽 饰)在损友唆使下,促长兄分家,天然居因而易手,而天然居内诸人均各散东西。广州沦陷,周敬文却挆降日本,成为广州伪政府维持会成员,但暗里却是从事救助广州同胞,天然居易手后北上从军的陈炳、冯少帅等人,均欲暗杀周敬文,后来真相大白,心结解除。而周敬文则在广州城内开办“天然豆品居”,制作豆品解救同胞之脚气病。

努努影院

痴心女子负心郎
美国英语1948
  Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

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